31 svibanj, 2008

Pat Travers - Blues Tracks, Vol.02 (1998)


If you liked the first Blues Tracks (1992), you'll love Blues Tracks 2. The material this time is all covers, but ramped up enough to make them true PT classics. The drummer this time is none other than Liberty DeVito (Billy Joel) and boy does it show. Liberty is one pounding drummer for sure. From Johnny Winter's "I Guess I'll Go Away" to the Allman Brothers "Whipping Post" to Jimi Hendrix's "Purple Haze", you can't go wrong. The original artists would be proud to be represented by Pat's gutsy, blazing, rewrites of their classics.

Download-Link (Part 1):

http://rapidshare.com/files/119102541/1998_-_Blues_Tracks__Vol._2.part1.rar.html

Download-Link (Part 2):

Pat Travers - Whiskey Blues (1997)


Travers demonstrates his mastery of the Clapton/Beck/Page school of blues-rock with some extended soloing on the live Whiskey Blues, which contains such Travers staples as "Boom Boom (Out Go the Lights)," "Snorting Whisky, Drinking Cocaine," and twelve others.

Download-Link (Part 1):

http://rapidshare.com/files/119058781/1997_-_Whiskey_Blues.part1.rar.html

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Pat Travers - King Biscuit Flower Hour (1997)


Recorded live on March 26, 1984 in West Palm Beach, Florida, this show captures Pat Travers at the peak of his career. Backed by Jerry Riggs (guitar), Barry Dunaway (bass), and Pat Marchino (drums), he grinds out a string of high-energy rock, including "Hot Shot" and "Killer" off his then-current Polygram album, an extended jam of his signature tune, "Boom Boom (Out Go the Lights)," a cover of Albert King's "Born Under a Bad Sign," and "La La La Love You" from the soundtrack to the movie Valley Girl. The wattage is high and the tempos are ferocious, enough to make this one of the great live rock guitar showcase albums ever done. Not quite a live best-of or greatest hits album, but it will do.

Download-Link (Part 1):

http://rapidshare.com/files/119053252/1997_-_King_Biscuit_Flower_Hour.part1.rar.html

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Pat Travers - Best Of Blues Plus Live (1997)


The first 8 tunes are studio tracks from his first 6 Blues Bureau releases (1992 -1997). The next 5 tunes are live tracks from his Polydor albums (1976 - 1983).

Download-Link (Part 1):

http://rapidshare.com/files/119047977/1997_-_Best_Of_The_Blues_Plus_Live.part1.rar.html

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Pat Travers - BBC Radio Live In Concert (1997)


BBC Radio 1 Live in Concert collects highlights from the Pat Travers Band's two BBC performances: a July 1977 appearance on Sight & Sound and the group's 1980 Reading Festival set, which includes "Boom Boom out Go the Lights," "Life in London," and "Rock 'n' Roll Susie." "Makin' Magic," "Your Love Can't Be Right," and "Snortin' Whiskey" are some of the album's other high points.

Download-Link (Part 1):

http://rapidshare.com/files/119042460/1997_-_BBC_Radio_1_Live_In_Concert.part1.rar.html

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Pat Travers - Lookin' Up (1996)


After a number of albums sounding more or less the same, I have indeed grown tired of Pat Travers. And it's not just because he's doing the same thing over and over - the quality in material have become rather weak over the years. "Blues tracks" from 1992 may be Travers first real attempt on power blues and he did it very well indeed. After that, things have gone downhill with the exception of "Blues magnet" in 1994. But albums like "Just a touch" (1993) and "Halfway to somewhere" (1995) isn't really exciting, and "Looking up" from 1996 isn't good at all (primary due to lack of good material). But die hard fans, who can't get enough of this kind of repetitive blues will perhaps find pleasure in this release.

Download-Link (Part 1):

http://rapidshare.com/files/119024647/1996_-_Lookin__Up.part1.rar.html

Download-Link (Part 2):

http://rapidshare.com/files/119024539/1996_-_Lookin__Up.part2.rar.html

Pat Travers - Halfway To Somewhere (1995)


Pat Travers really put it all together on this collection of original Blues tinged hard rock songs. "Look me up" is an instant classic, blistering guitar and heavy driving back beat make this pure bliss to listen too. "Hard Times" and "Party Tonight" follow in the same mode, as P.T. takes one good lead into another for nothing less than a gutitar clinic.

Download-Link (Part 1):

http://rapidshare.com/files/119021118/1995_-_Halfway_To_Somewhere.part1.rar.html

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Pat Travers - Acoustic Solo (Live) (1995)


Download-Link (Part 1):

http://rapidshare.com/files/119017528/1995_-_Acoustic_Solo__Live_.part1.rar.html

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Pat Travers - Blues Magnet (1994)


BLUES MAGNET marked a return to classic form for Pat Travers. It features the funky, but hard-edged blues sound that made Pat a success in the late 70's, and some truly memorable songs. Heavy enough for Hard Rock (and some Metal) fans, but bluesy enough to appeal to fans of Blues as well, BLUES MAGNET would have been a huge success during Pat's heyday. All of the songs are strong, but the Title Track, "Lil' Southern Belle," and "Elaine," are standout tracks that would be highlights on ANY of Pat's albums. If you like Hard Rockin' Blues, you've got to get BLUES MAGNET!

Download-Link (Part 1):

http://rapidshare.com/files/119014029/1994_-_Blues_Magnet.part1.rar.html

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Pat Travers - Just A Touch (1993)


This disc is worth the price on the first track alone! "The Riff" will show you what PT is all about. Not your everyday electric bluesman, Pat Travers delivers his scorching high energy blues rock like no other. Drummer this time is veteran journeyman Ansley Dunbar.

Download-Link (Part 1):

http://rapidshare.com/files/118952955/1993_-_Just_A_Touch.part1.rar.html

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Pat Travers - Blues Tracks (1992)


If you like power blues (a blend of blues and heavy metal), this album is absolutely for you! Pat Travers has chosen great songs to cover and it is full speed ahead all the way through this album. Even if Travers doesn't sing as good as Glenn Hughes, David Coverdale or Paul Rodgers, it's certainly suitable for this approach. For fans of Rick Derringer's more recent stuff, this is without doubt a treat.

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Pat Travers - The Best Of Pat Travers (1991)


This best-of collection gives a fine overview of Pat Travers' most successful years, from his 1976 debut to the waning days of his popularity in the mid-'80s. Although the early tracks are pretty tame — mid-'70s rock/boogie that sounds like a cross between Montrose and ZZ Top — and the later material suffers from overly commercial songwriting and production, the stuff in between is killer. Indeed, for a few years in the late '70s and early '80s, Travers led one of the deadliest bands around; this peak lineup of the Pat Travers Band — featuring the underrated Travers on guitar and vocals, Pat Thrall on second lead guitar, Peter Mars Cowling on bass, and Tommy Aldridge on drums — could play circles around most of the competition (for a definitive sampling of that band's talents, see Live! Go for What You Know). Highlights include "Heat in the Street," the live "Boom Boom (Out Go the Lights)," and one of the most devastating blues/rock guitar workouts ever, the absolutely essential "Snortin' Whiskey."

Download-Link (Part 1):

http://rapidshare.com/files/118908149/1991_-_The_Best_Of_Pat_Travers.part1.rar.html

Download-Link (Part 2):

Pat Travers Band - School Of Hard Knocks (1990)


Guitars From Hell features a smoldering lead guitar exchange by Pat Travers and Jerry Riggs. Before this tune was released Pat's encore was generally Boom Boom or Makes No Difference from his 'debut" album, but when the Pat Travers Band, also featuring Peter "Mars" Cowling" on Bass guitar, went on The School Of Hard Knocks Tour in 1986, the encore changed to this smashing, riveting and harmonic Guitars From Hell. A pure instrumental delight and soul wrenching display of guitar work from the master Patrick Henry Travers. Buy it, because every other tune on this album is a sure fire favorite. I love Daddy Long Legs, Help Me Please, a 58-second Jimmy Hendrix Purple Haze Riff, a couple of top 40 tunes and of course the blazing School of Hard Knocks.

Download-Link (Part 1):

http://rapidshare.com/files/118808834/1990_-_School_Of_Hard_Knocks.part1.rar.html

Download-Link (Part 2):

28 svibanj, 2008

Pat Travers - Boom Boom (1990)


This is a straightforward 70-minute concert film of the Pat Travers Band performing in 1990, the leader heading a quartet including Jerry Riggs on second guitar and vocals, Peter "Mars" Cowling on bass, and Scott Zymowski on drums. There's nothing arty or fancy about the approach — the camera is usually focused on the stage, and most often on a windblown Travers playing guitar and singing at the center, though Riggs is occasionally heard on lead vocals too. Riggs also contributes three originals to the set, but it's largely devoted to some of the most popular items from Travers' catalog, including "Snortin' Whiskey," "Life in London," "I La La La Love You," "Heat in the Street," and "Boom Boom (Out Go the Lights)." It's sweaty if somewhat clinical hard rock with a bluesy bent, falling closer to heavy metal than blues-rock.

Download-Link (Part 1):

http://rapidshare.com/files/118217184/1990_-_Boom_Boom.part1.rar.html

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Pat Travers - Hot Shot (1984)


Hot Shot was Travers' last major label release of original music, and was a return to a harder-edge style of rock than his previous two albums had been. One of Travers' best-recorded projects, it went basically unnoticed and is best remembered for the single "Killer". It was during this time that Travers also released Just Another Killer Day, a 30-minute home video featuring music from Hot Shot that was a sci-fi type short story about sexy alien women searching for information on music here on earth.

Download-Link:

http://rapidshare.com/files/118216460/1984_-_Hot_Shot.rar.html

Pat Travers - Black Pearl (1982)


Pat Travers' Black Pearl is a lost gem. The early '80's recording from the talented Canadian guitarist contains a stunning mix of hard rock, blues, warm jazz influenced runs, reggae and melodic tracks, from the under-rated guitarist and his tight backing band. The Pat Travers machine had been gaining steam with each successive release and the Black Pearl recording keeps pace, as "Can't Stand The Heartaches", "I'd Rather See You Dead", "Misty Morning" and "Rockin'", stand out from the 1982 release.

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Pat Travers - Radio Active (1981)


Travers and Cowling forged on with drummer Sandy Gennaro and released Radio Active in 1981. A co-headlining tour with Rainbow followed, and the two bands performed in major arenas across North America. Although the tour was Travers' most successful road outing, the Radio Active album barely made it into the Top 40. It was much different than Travers' previous work, with more emphasis on keyboards than heavy guitars. Disappointed with the lack of sales, Polydor Records dropped Travers from their roster, and he in turn sued the record company on grounds that he was under contract with them to record more material.

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Pat Travers Band - Crash And Burn (1980)


Pat Travers is one of the most underrated guitar players, singer/songwriters in the universe. While I feel his best work was to come...the first four tracks on this CD are great and well worth the purchase. His guitar riffs are varied and show alot of range without dragging on and on like so many axe men of that era. His rough, soulful vocal style fits like a glove. The foray into jazz/rockish keyboard compositions are but a slight detour from the real strengh of PT...guitar based hard rock!! Track 8 is laughable. Thank god he came to his senses and avoided that light wieght rubbish in future recordings.

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Pat Travers - Live! Go For What You Know (1979)


Pat Travers never sounded more focused and inspired than he does on Live! Go for What You Know, which was recorded during the Canadian hard rocker/blues-rocker's U.S. tour of early 1979. Travers can really burn on stage, and this album reflects that. Backed by guitarist Pat Thrall (who had been a member of the obscure space rock band Automatic Man in 1976 and 1977), bassist Mars Gowling, and drummer Tommy Aldridge, the singer is in top form on explosive, definitive versions of funky originals like "Heat in the Street," "Gettin' Betta," and "Makes No Difference." But the best-known thing on the album is Travers' gutsy performance of Stan Lewis' blues classic "Boom Boom (Out Go the Lights)," which should not be confused with the John Lee Hooker favorite "Boom Boom." For Travers, "Boom Boom (Out Go the Lights)" has been a major crowd pleaser, and the version heard on this release was a staple of album rock radio in 1979 and the early '80s. If you're exploring Travers' music for the first time, Live! Go for What You Know is among the CDs to start with.

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Pat Travers - Heat In The Street (1979)


The fourth Pat Travers album saw the transition of the guitarist's group from club act to U.S. stadium rockers. Gone was Nicko McBrain to French rockers Trust and then on to Iron Maiden. In his place was the magnificent Tommy Aldridge and also added guitarist extraordinaire Pat Thrall joined the line up as well.

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Pat Travers - Putting It Straight (1977)


"Putting it Straight" starts off with the speeding mammoth, shiny metallic freight train that is "Life in London." PT's last word on the punk scene that was consuming London at the time. Fast, hard, & metallic, "Life in London" is a juggernaut stomping on the lifeless corpse that punk would be in a couple of years. The second & third songs, "It Aint What it Seems" & "Speakeasy," are rollicking guitar riff driven tunes that speak of goodtimes & bad. "Running from the Future" (my favorite song off the album) is a monster of Jazzy metal heaviness with guitar breaks that bring tears to my eyes. The sound he gets out of his guitar is just incredible on this song & the album as a whole, truely unique. "Running from the Future's" subject is also as forboding as it is heavy. PT speaking of his drug use, knowing it will lead to nowhere. "Lovin' You" is a keyboard driven song of love & regret. The funky instrumental "Off Beat Ride" demonstrates PT's fusion side not unlike Jeff Beck's "Wired," it also shows PT's considerable keyboard talents. The giant funky metallic riffery & time changes of "Gettin' Betta" is a immortal PT classic. It draws you in like a set of white water rapids, full of bumps & grinds, you have to hang on! The last song, "Dedication" is gorgeous. It's melody takes you away. It's lryics about friendship & kindness are truly heart-felt & warm. There is no doubt that PT knows how to write important personal songs of life & how to live it, a masterpiece. This is the last album to feature the tremendous drumming of future Iron Maiden drummer Niko McBrain. Next would be Tommy Aldridge!

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Pat Travers - Makin' Magic (1977)


MAKIN' MAGIC is the second album from Canadian rock guitarist Pat Travers; the set includes guest appearances from drummer Nicko McBrain (Iron Maiden) and bassist Peter "Mars" Cowling (Judas Priest). Second Pat Travers album, which is regarded by many of his fans as the best of the man's early albums. It's a harder rocking release than his debut album, featuring the thunderous title track and the classic "Rock N Roll Susie" as well as the blistering "Statesboro Blues". The album is also memorable for the apperance of Nicko McBrain on drums alongside long time bassist 'Mars' Cowling. The album's highlight is perhaps Travers heartfelt message to his own brother "Stevie".

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Pat Travers Band - Rockpalast 1976


WDR Studio-L Köln 04.11.1976.

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Pat Travers - Pat Travers (1976)


The entire CD is a treat! You can hear the influences of Hendrix, Page and Clapton. Usually I like the faster songs. HOWEVER-once I heard the version of Magnolia, I knew that this was a chick magnet song. If you like Jimi Hendrix and other hard rock guitarists like Robin Trower, this album has timeless riffs that never die.

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Pat Travers biography


While most bluesy hard rock acts of the '70s and '80s hailed from the United States (the south, to be exact), there were several exceptions to the rule, such as Canadian singer/guitarist Pat Travers. Born in Toronto on April 12, 1954, Travers first picked up the guitar just prior to entering his teens, after witnessing a local performance by the great Jimi Hendrix. It wasn't long before Travers was studying the other top rock guitarists of the day (Eric Clapton, Jeff Beck, Jimmy Page, etc.), and paying his dues by playing in bar bands in the Quebec area. His first true touring gig came his way when he hooked up with '50s rock n' roll vet Ronnie Hawkins (best known for performing with a backing cast that would eventually transform into The Band). But Travers' main love was hard rock, so after a year, he packed up his belongings and headed to London. Shortly after touchdown in the U.K., Travers recorded a demo that would land him a recording deal with Polydor and result in the release of his debut, Pat Travers, during the spring of 1976. A performance at England's annual Reading Festival the same year only peaked interest, which resulted in two more releases in 1977, Makin' MagicPutting It Straight (both of which followed a pre-Iron Maiden Nicko McBrain on drums), before Travers returned to North America and set his sights on the U.S. rock market. Hooking up with a fine backing band comprised of drummer Tommy Aldridge, guitarist Pat Thrall, and bassist Mars Cowling, the new Travers band lineup premiered on 1979's Heat in the Street. This led to Travers' most commercially successful period, resulting in a pair of Top 30 releases, 1979's Live! Go For What You Know (considered by many Travers fans to be his finest hour) and 1980's Crash and Burn. But soon after the dawn of the '80s, bluesy hard rock seemed to quickly fall out of favor amongst the U.S. record buying public, in favor of slickly produced arena rock, and later, MTV-approved bands. As a result, each subsequent Travers release sold less, as his last albums to appear on the U.S. album charts included 1981's Radio Active, 1982's Black Pearl, and 1984's Hot Shot. Unhappy with Polydor, TraversTravers' 1990 comeback album, School of Hard Knocks, failed to re-spark interest on the charts, although he continued to issue new studio albums (Blues Tracks, Just a Touch, Blues Magnet, etc.) and archival live sets (King Biscuit Flower Hour, BBC Radio One Live in Concert) throughout the decade. Travers continues to tour and record regularly (playing alongside the likes of Night Ranger's Jeff Watson, Cinderella's Tom Keifer, and Rick Derringer), and in 2001, performed as part of the 'Voices of Classic Rock' tour. TraversP.T. Power Trio, a recording that featured covers by the likes of Cream ("White Room"), Robin Trower ("Day of the Eagle"), and ZZ Top ("Nasty Dogs and Funky Kings"), among others. and opted to take a break from releasing albums for the remainder of the decade, but continued to tour. emerged from the recording studio once more in 2003, with

26 svibanj, 2008

Robin Trower - B.B. King Blues Club NYC (2006)


June 29, 2006

Download-Link (Part 1):

http://rapidshare.com/files/117002370/2006_-_B.B._King_Blues_Club_NYC.part1.rar.html

Download-Link (Part 2):

http://rapidshare.com/files/117004232/2006_-_B.B._King_Blues_Club_NYC.part2.rar.html

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Robin Trower - Living Out Of Time – Live (2005)


Sharing four tunes with its 2004-released studio counterpart, Living Out of Time, this 2005 performance, recorded at a single gig in Bonn, Germany, is a reminder that Robin Trower is every bit the guitar player he was on his first live album from 1976. Interestingly, three tunes ("Too Rolling Stoned," "Daydream," and the concert-closing "Little Bit of Sympathy") are reprised from that early collection. Trower and band were ready to release another studio album after Living Out of Time when this was recorded, but none of those tracks made it into this set. Regardless, this is a rousing show that respectfully runs through the warhorses such as a fiery ten-minute "Bridge of Sighs" and the aforementioned tunes, with as much enthusiasm as the newer, far less familiar tracks. Vocalist Davey Pattison ably replaces the unforgettable James Dewar, who passed away in 2002. He has the same gravelly, soulful bite as Trower's original vocalist and almost as much emotion, even if he isn't working in a unique style. Trower remains Trower, whipping off edgy, Hendrix-inspired riffs on his trusty Stratocaster like he just thought of them. One straight blues sneaks in, a thinly veiled rewrite of B.B. King's "Rock Me Baby" (Trower recorded that on his 1973 debut) titled "I Want You to Love Me" and credited to Trower. Otherwise, it's business as usual and business is good as the band charges through this material with impressive chops, live sound that is muscular enough to be studio quality, and nearly inaudible audience participation. Any Trower fan will be thrilled with this document, not just because he's playing with such passion, but also because the mix of new and old material is handled so deftly. It shows that the guitarist has remained true to his original vision yet has moved on to write more quality material, albeit in the same vein as the '70s music that still identifies him. By maintaining his connection to the past but continuing to refine -- if not redefine -- his style on tunes like "Sweet Angel," Trower remains one of the few hard rock survivors still worth experiencing in concert nearly 30 years after the release of his most influential work.

Download-Link (Part 1):

http://rapidshare.com/files/116999804/2005_-_Living_Out_Of_Time_-_Live.part1.rar.html

Download-Link (Part 2):

Robin Trower - Euro LOOT Tour - The Brook, Southampton 22.04.2005


The Brook is a 600 Capacity live music venue. Because of the calibre of bands that we have, people travel from all over Hampshire, Dorset, Sussex and the Isle of Wight. People often come from Portsmouth, Winchester, Bournemouth & Poole, to see our shows. We host national and international Blues, Rock, R'n'B, Tribute, Funk, DJs, Indie and many other styles of music.

Download-Link (Part 1):

http://rapidshare.com/files/116996498/2005_-_Euro_LOOT_Tour_-_The_Brook__Southampton_22.04.2005.part1.rar.html

Download-Link (Part 2):

http://rapidshare.com/files/116997822/2005_-_Euro_LOOT_Tour_-_The_Brook__Southampton_22.04.2005.part2.rar.html

Download-Link (Part 3):

http://rapidshare.com/files/116998804/2005_-_Euro_LOOT_Tour_-_The_Brook__Southampton_22.04.2005.part3.rar.html

Robin Trower - Another Days Blues (2005)


British guitarist Robin Trower re-enters the fray with a solid, electric, British blues record. Another Days Blues features longtime drummer Reg Isidore, vocalist Davey Pattison (who sounds an awful lot like the late James Dewar), organist Nicky Brown, and bassist Dave Bronze, as well as a couple of ringers like keyboardist/bassist Paul Page, drummer Pete Thompson, and vocalist Hazel Fernandez. But the real story is the playing. Trower structured the sound and feel of this recording to be juxtaposed against albums like Twice Removed from Yesterday and Bridge of Sighs. While all the tracks are blues cuts, the silvery liquid darkness of his guitar and the background atmospherics stretch this beyond the usual Brit blues cage. His playing is better than ever — a listen to the tasteful, slow yet biting "Someday Blues," the steamy roll in "21st Century Blues" or the gritty, punch-drunk fervor of "Next In Line," or the sheer wah-wah Hendrixian whomp of "Go My Way" is all the evidence one needs to know this is the best Trower recording in a dog's age — or even two. Even the ballads such as "Shining Through," or the dreamy, psychedelic haze of the album's closer "This Blue Love," are shot through with teeth and taste.

Download-Link (Part 1):

http://rapidshare.com/files/116989268/2005_-_Another_Days_Blues.part1.rar.html

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Robin Trower - Living Out Of Time (2004)


Guitarist extraordinaire Robin Trower has reassembled the core of his late-'80s band, once again joining forces with Dave Bronze (bass), Davey Pattison (vocals), and Pete Thompson (drums). On 2004's Living Out of Time, they equal (if not best) their work on 1987's Passion and 1988's Take What You Need with 11 sides that reconfirm Trower's breathtaking instrumental capacity, as well as his knack for writing heavy rockers that don't come off as trite or excessive. Selections such as the soulful "Please Tell Me" and the straight-ahead title track, "Living Out of Time," reiterate the decades of comparison between Trower and Jimi Hendrix, especially in the case of the former track, which oozes with the same primordial urgency that drove Trower's earliest solo affairs. The bluesy and languid "I Want to Take You With Me," the introspective "One Less Victory," and the power balladry of "Another Time, Another Place" allow his expressions to contrast directly with the ballsy and exceedingly heavier driving riffs on "You Still Come Back" and the pulsating opener, "What's Your Name." Pattison is in good voice throughout, yet lacks the aggression that informed his earlier collaborations with Trower. In fact, there are several spots — primarily "The Past Untied" — where Pattison seems somewhat uncertain as to the tack he should take with the song. Conversely, "You Still Came Back" and the slightly sinister "Ain't Gonna Wait" sound custom-built for him. Granted, Trower may never regain the power and majesty of 1973's Twice Removed from Yesterday or the following year'sBridge of Sighs; however, this is a solid outing, more so than much of the fodder that his contemporaries (Jimmy Page, anyone?) have lent their names to for years. Enthusiasts are encouraged to give the platter a spin, as Trower Power is definitely the rule, rather than the exception, on Living Out of Time.

Download-Link (Part 1):

http://rapidshare.com/files/116987006/2004_-_Living_Out_Of_Time.part1.rar.html

Download-Link (Part 2):

Robin Trower - Go My Way (2000)


Robin Trower's first rock, as opposed to blues, studio album in five years, returns the guitarist to the fluid, Hendrix-infused trio sound of his salad days. While the songwriting isn't quite up to the quality of his '70s work, Trower's snaky, echoed, languid guitar and his powerful duo's sympathetic backing make this a welcome addition to his extensive catalog. While the smooth, soulful whisky-soaked vocals of original singer Jimmy Dewer are sorely missed (Trower, who handles some of the singing here is at best adequate), the songs still shimmer with the uniquely silvery quality fans have come to expect from the guitarist. Tunes like "Into Dusk," "Run With the Wolves," and, especially, the nine-minute opening title track with their "Little Wing"-"Third Stone From the Sun" grooves, would have been right at home on Bridge of Sighs. The snappy mid-tempo rocker "Too Much Joy" shoehorns Trower's distinctive guitar solo into a three-minute pop tune, but the similarly inclined chunky "This Old World" doesn't rise above its blues-rock clichés. Trower excels on ballads and slightly funky, slowly simmering psychedelic rockers like "Take This River" where his lava lamp guitar flourishes intricately weave between the dreamy words and construct musical visions uniquely his own. Likely difficult to find because of its indie label release, Go My Way is a welcome return from Robin Trower. Those unfamiliar with his work are advised to first hunt down his '70s classics, but longtime fans will be delighted with this solid, uncompromising album.

Download-Link (Part 1):

http://rapidshare.com/files/116984430/2000_-_Go_My_Way.part1.rar.html

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Robin Trower & Michael Schenker - Back 2 Back Hits (1998)


The group michael shanker is one of the best groups in the history of rock. the songs in the album "Back To Back Hits ~ Robin Trower, Michael Schenker " has some of the rest songs of MSG, like "Doctor, Doctor ," and "Anytime." its no doubt that the combination of "Michael Schenker" and "Robin Trower " is excellient and no doubt that thew album is excellient.

Download-Link (Part 1):

http://rapidshare.com/files/116983039/1998_-_Back_2_Back_Hits.part1.rar.html

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Robin Trower - Someday Blues (1997)


Robin Trower's peak commercial period occurred during the mid-'70s, when the bluesy guitarist specialized in a style that relied heavily on the power of the almighty riff (as evidenced by just about any selection from his best known release, 1974's Bridge of Sighs). But on his 1997 offering, Someday Blues, Trower tries a different approach, as he cuts back on the Jimi Hendrix-esque riffing, and focuses more on Albert King-style licks, and letting Hammond organ fill in much of the open spaces. This approach is best sampled on "Feels So Bad" (which features some great vocalizing by Trower — who handles all singing on the album as well) and the slow-burning title track. And for fans of a classic, searing Fender Strat tone, the album-closing "Sweet Little Angel" is a must-hear. While there's nothing here that matches the six-string pyrotechnics of, say, "Day of the Eagle," Trower still proves to be a major blues-rock force on Someday Blues. It's just that now Trower puts an added emphasis on the "blues" rather than the "rock."

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Robin Trower - King Biscuit Flower Hour (1996)


Recorded on October 18, 1977, at the New Haven Coliseum in Connecticut, King Biscuit Flower Hour captures Robin Trower moving into a more R&B-driven phase of his career, although the heavy blues-rock of his smash Bridge of Sighs album is amply represented in addition to the newer material on In City Dreams, the album he was supporting at the time. For this performance, originally broadcast on the King Biscuit Flower Hour radio show, Trower's band features vocalist James Dewar, bassist Rusty Allen, and drummer Bill Lordan, formerly of Sly & the Family Stone. It's a versatile band, and in some ways, the live venue is an even better way to hear them than on their studio output.

Download-Link (Part 1):

http://rapidshare.com/files/116979286/1996_-_King_Biscuit_Flower_Hour.part1.rar.html

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Robin Trower – Anthology (1994)


Robin Trower would have been a guitar god no matter what, but he was savvy enough to consistently surround himself with a great supporting cast album after album. James Dewar and Jack Bruce, two of the vocalists featured on this hits set, were perfect foils to Trower's guitar wizardry, never trying to show him up, just perfectly complimenting him on song after song. Dewar is especially impressive on Caledonia and the live Too Rolling Stoned. Dewar has since passed away, but for the most part this set acts as a shining monument to one of the more underrated, yet consistently soulful vocalists in hard rock history. This cd is one of my favorites to listen to while traveling alone. Beginning to end, it cranks, and naturally leads to hunting down the excellent twofers that Trower's works have been featured on in the past few years.

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Robin Trower - 20th Century Blues (1994)


20th Century Blues is a hard rockin' blues CD that was produced in 1994. The power trio on this CD consists of Robin Trower on guitar, Mayuyu on drums and Livingstone Brown on bass and vocals. Those familiar with Trower know that the vocal duties have primarily belonged to James Dewar and in his brief absence, a host of others including Trower, Davey Pattison and, as in this case, Livingstone Brown. The CD itself contains all Trower originals with the sole exception of Lowell Fulson's "Reconsider Baby". The music is vintage Trower with plenty of dark tone and heavy riffs pouring from his Fender Strat. Livingstone's vocals are somewhat reminiscent of ZZ Top or Gov't Mule and seem to fit the bill rather nicely. As an alternative, check out Trowers own noticeably lighter vocals on the CD "Someday Blues". Overall, not Trower's best work, but very good nonetheless.

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Robin Trower – Essential (1991)


Essential is a strong single-disc collection that features 16 highlights from Robin Trower's long career at Chrysalis, including such staples as "Too Rolling Stoned," plus several key album tracks. While such albums as Bridge of Sighs work as individual albums, this does a nice job of rounding up highlights from uneven records, making it a nice sampler both for casual fans and the curious.

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Robin Trower - In The Line Of Fire (1990)


I am a TROWER nut and take offence at the negative reviews. If all his CD's have to sound alike to please some of his older fans, so be it but don't knock this CD. Yes it is different, yes it has certain 80's flavours about it and yes it misses JAMES DEWAR, but like all his other output, it is still quality rocking blues. TROWER is such a talented guitarist that even his mediocre output ( PASSION ) is still of the highest standards and contains a number of outstanding tracks. This one differs from his 70's material in that it is more POP / ROCK than BLUES / ROCK, but most of these tracks are as good as it gets in this genre and TROWER as always plays some brilliant solos. The vocalist is very good, even if he isn't up to the DEWAR standard ( WHO IS??????) and the tunes are mostly very catchy and energetic. If you are a TROWER fan, accept the different offerings and marvel at the breadth of his style and talent.

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Robin Trower & Jack Bruce - No Stopping Anytime (1989)


This is a compilation from Trower's two collaborations with Cream bassist Jack Bruce.

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Robin Trower - Take What You Need (1988)


One of the recent re-releases from Wounded Bird Records, Robin Trower's "Take What You Need" is probably his best later period work, alongside "Passion" and the much underrated "Someday Blues". Trower acolytes know this master of the Strat is much much more than a mere clone of Hendrix. He has a great contemporary flair that shows full force on "Take What You Need." The star of the show is Trower's astonishingly fluid, melodic solos that still manage to drop your jaws to the floor. Davey Pattison is a fine vocalist with a silky smooth delivery that complements Trower's chorus soaked guitar. Synthesizers float underneath the mix, making tracks breathe without becoming saccharine sweet. "Take What You Need", like its predecessor "Passion" should have put Robin in the same league consumer-wise as Clapton. Trower is a far better guitarist, but the music industry being the fickle and illogical business it is, he just hasn't received his due.

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Robin Trower – Passion (1987)


Guitarist Robin Trower enjoyed considerable success in the mid-'70s with his tasteful, Jimi Hendrix-inspired style of blues-rock. The Procol Harum veteran's popularity faded as the 1980s progressed, but Trower generally stayed active. 1987's Passion is interesting because it straddles '70s grittiness and '80s slickness. Trower and his band — lead vocalist Davey Pattison, bass guitarist/vocalist Dave Bronze, and drummer Pete Thompson — form a tight, efficient unit. The simple textures provided by guest keyboardists Robert A. Martin and Reg Webb give the songs extra depth. "Caroline" earned a bit of rock radio airplay, and justifiably so, thanks to its hooks and Trower's warm guitar solo; Pattison's singing is reliable, but his voice isn't quite as rich, deep and distinctive as that of James Dewar, Trower's best-known vocalist. "If Forever" is a clean, no-frills ballad, and Trower's guitar solo balances blues and pop. Both "Won't Even Think About You" and "Passion" are melodic hard rock. The soothing instrumental "Night" gives Passion an enjoyable change of pace.

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Robin Trower - Beyond The Mist (1985)


This mostly live release recorded at London's Marquee club in 1985 is a rather dull effort, since Trower plays only seven tracks with plenty of his best material absent from the set. Sounding slightly murky and muddled, the five live tracks are short on Trower's guitar playing flair, and since he's not the most animated musician to begin with, these songs have an even harder time holding the least bit of attention. Some redemption is established with his signature "Bridge of Sighs" at the end of the album, as Trower reveals his talents with a semi-spirited arrangement of his most famous piece. The two studio tracks at the beginning of the album aren't ear catchers either, with "The Last Time" coming out on top because of its steam engine rhythm. Even with a solid tandem of studio musicians like Martin Clapson behind the kit and Dave Bronze on bass and backing vocals, Robin Trower's usual array of manipulated feedback, bent and twisted guitar chords, and flashy fret bending is kept to a bare minimum. This time around, his instrumental meandering comes up short on guitar nutriment and the album is bettered by any of his '70s studio material.

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Robin Trower - Live In St. Louis (1980)


FM broadcast, May, 1980 St. Louis, Mo.

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Robin Trower - Caravan To Midnight (1978)


Like most of trowers work, this is another excellent offering. The title cuts a real cool instrumental piece where robin does whay Robin does best; jam! This is also one of the earlier albums that feature the late great James Dewar on vocals, this guys got an awesome voice. the only weak track is birthday boy, but even thats not all that bad.

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Robin Trower - In City Dreams (1977)


In City Dreams marked a change in direction for Robin Trower. He played his axe just as sweetly as before, but he began to put more emphasis on song accessibility. Additionally, he brought in a funk-style bass player named Rustee Allen to give more punch to the rhythm. The album was a welcome change from the misty, murky blues of his earlier records, but the songs weren't strong enough to effectively displace what had made his name in the first place: potent guitar work. Several of the songs have a real "party" feel, such as the opener "Somebody's Calling" and the 12-bar blues of "Further On Up the Road," with its raucous background noise. "Bluebird" calls to mind "Little Wing" by Hendrix, but James Dewar's saccharine singing ultimately ruins the effect. The one song that successfully conveys the mood that Trower intended for this record is "Sweet Wine of Love," a mid-tempo tune about a wedding night celebration; it's straightforward and melodic, with a lilting, understated guitar solo.

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Robin Trower – Live! (1976)


An excellent recording of a superb 1975 stadium show in Sweden, Robin Trower's Live album is a perfect snapshot of the guitar hero in his prime. The record also gives ample evidence of why the Robin Trower Band was one of the most successful live guitar rock acts of the '70s, highlighting not only Trower's virtuoso Stratocaster licks, but the soulful vocals of bassist James Dewar and the polyrhythmic drumming of Bill Lordan. The song selection here is top-notch, the most obvious treat being the perennial Trower classic "Too Rolling Stoned," to which Lordon (who replaced Reg Isadore, drummer on the studio version of the song) contributes a somewhat funkier flavor. The same treatment is given to a blistering take on "Little Bit of Sympathy," which contains moments that recall the legendarily telepathic interplay between Jimi Hendrix and Mitch Mitchell. It's a mystery why James Dewar isn't generally recognized as one of the finest blue-eyed soul singers of the '70s, as he is easily as talented and convincing as Paul Rogers or Joe Cocker. Here, he's in excellent form and his vocals on the slow-burning "I Can't Wait Much Longer" are spine-tingling. Although none of the performances stray too far from the songs' studio versions, that fact is part of what makes this album interesting. Live shows the Robin Trower Band to be a quintessential no-frills blues-rock band, capable of kicking serious ass no matter what the setting.

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Robin Trower - Long Misty Days (1976)


"Long Misty Days" chugs along with the intesity of all Trower's blues-driven rock albums, and is a solid listen. However, "In City Dreams" is the ultimate listening experience. The atmosphere on this album is THICK. It's 40 minutes of hypnotic listening, from the haunting "Somebody Calling" to the optimistic "Smile" to the incredible title track. The guitar work is impeccable; the songwriting phenomenal. Very nice work however. In City Dreams has very slick low register guitar lines in it that really stick in your head. It's a moderate tempo piece that rolls along and takes you with it. I've heard people say that Robin is trying to rip off Jimi Hendrix. Nothing is further from the truth. If you've listen to Jimi at all and then Robin, the difference is night and day. They have two completely different techniques and sounds. Nobody will ever replace Jimi, and like wise no one will ever replace Robin either.

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Robin Trower - For Earth Below (1975)


For Earth Below, Trower's third solo album, is heavily induced with a blues-rock formula that withstands the duration of the eight tracks and arrantly displays his slick guitar mastery. His subtle yet dominant fusion of blues and hard rock styles not only inflicts character throughout each song, but also demonstrates how effective an instrument the guitar can become when the proper techniques are applied. Much like Twice Removed From Yesterday but not as diverse as Bridge of Sighs, this album has Trower sounding a tad more velvety around the edges, with the blues element sometimes governing the entire piece, an asset to the album's complete texture. The opening "Shame the Devil" and "A Tale Untold" best exemplify his distilled playing style, while a song like "Gonna Be More Suspicious" represents how focused a musician he really is, making each chord pour into the next so that the sound becomes totally viscous. James Dewar, who plays bass and sings vocals, contributes aptly to the low end of the music, filling in where needed, while drummer Bill Lordan helps out on percussion. Finishing off with the sultry but dimensioned aura of "For Earth Below," the album wraps up with a wholehearted satisfactory feel. The albums that followed For Earth Below began to stray slowly from being blues-influenced to a sound that contained a mainstream feel, with fragments of bright rock adding a sheen to his raw guitar repertoire.

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Robin Trower - BBC Radio 1 Live In Concert (1975)


Recorded 29 January 1975, Paris Theatre.

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Robin Trower - Bridge Of Sighs (1974)


Guitarist Robin Trower's watershed sophomore solo disc remains his most stunning, representative, and consistent collection of tunes. Mixing obvious Hendrix influences with blues and psychedelia, then adding the immensely soulful vocals of James Dewar, Trower pushed the often limited boundaries of the power trio concept into refreshing new waters. The concept gels best in the first track, "Day of the Eagle," where the opening riff rockingly morphs into the dreamy washes of gooey guitar chords that characterize the album's distinctive title track that follows. At his best, Trower's gauzy sheets of oozing, wistful sound and subtle use of wah-wah combine with Dewar's whisky-soaked soul-drenched vocals to take a song like the wistful ballad "In This Place" into orbit. "Too Rolling Stoned," another highlight and one of the most covered tracks from this album, adds throbbing, subtle funk to the mix, changing tempos midway to a slow, forceful amble on top of which Trower lays his quicksilver guitar. One of the few Robin Trower albums without a weak cut, Bridge of Sighs holds up to repeated listenings as a timeless work, as well as the crown jewel in Trower's extensive yet inconsistent catalog.

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Robin Trower - Twice Removed From Yesterday (1973)


Robin Trower's debut solo album was the first evidence that the Fender Stratocaster sound of Jimi Hendrix could be effectively replicated and even refabricated. And like Hendrix, Trower had paid his dues as a more-or-less backup musician, his former band Procol Harum having emphasized stately organ and piano rather than guitar. After leaving his old group, Trower experimented with different musicians and ideas for several years, which paid off when he finally released Twice Removed From Yesterday, a record that displayed the characteristics that would make him a guitar hero and stadium attraction of the mid-'70s. He de-emphasized the Hendrix fuzz, feedback, and distortion, and let the reverb from his Strat become his dominant tonal device. He wasn't as flamboyant as Hendrix, as earthy as Eric Clapton, or as unpredictable as Jeff Beck, but he played cleanly, emphasizing singular, effective notes, and he brought a melodicism and creativity to the electric blues. His style is best suited for the slow, somber blues of songs like "Daydream" and "I Can't Wait Much Longer," where his solos are both carefully structured and melodic. The most intriguing tune on the album is the title track, a nugget of '70s-style psychedelic rock that showed Trower to be a pretty good songwriter. The best aspects of Twice Removed would come to full flowering on his next album, Bridge of Sighs, but this debut showed Trower to be an effective interpreter of the Hendrix sound, and not just what numerous others who came in his wake would prove to be: mere imitators.

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Robin Trower - The Record Plant, Sausalito, CA, 8.11.73


Uncomfortable as guitarist for Procol Harum, Robin Trower found his calling when he formed a Hendrix-like trio with The Robin Trower Band. Now he could stand in the spotlight and let fly like his hero. If true, it was Procol Harum's Broken Barricades that gave Robin Trower the reason for packing it up to form his own band. Barricades had Trower's best tune, his dedication to Hendrix - Song For A Dreamer, performed in the style he loved - with splendid guitar heroics. Procol Harum, however, relied more on keyboards and epic songwriting with Gary Brooker's magisterial voice. When he formed The Robin Trower Band, he set out to do the two things he loved best about Jimi Hendrix - the slow ballads like Angel and the jet-speed numbers like Crosstown Traffic. Both types of songs are in plain sight on his first two albums, Twice Removed From Yesterday and Bridge Of Sighs. He also had in bassist James Dewar, a top howler and competent white soul singer. Dewar was formerly vocalist for Stone The Crows. For this 1973 show, songs from both albums make up the setlist. The ballads I Can't Wait Much Longer and Daydream from his first album and fast numbers Day Of The Eagle, Lady Love and A Little Bit Of Sympathy from the second album. Ultimately what makes Trower a follower rather than a leader are James Dewar's and Trower's own weak lyrics which Trower has admitted are "nonsense". That's how Dewar or Trower introduce A Little Bit Of Sympathy at this concert. All the songs for the first two albums are basically relationship songs, for want of a better word. Taken from pre-FM master reel. This show was shared by Davmar77 with the last track provided by The Lyon Tapes Collection. Artwork by Novella1949. This recording is well-mixed with Trower's guitar max out at the top. The way all guitar heroes should be mixed.

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Robin Trower - Guitar Bandit, Live 73 (1973)


Bootleg LP featuring 1973 San Francisco show.

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Robin Trower - At Ebbets Field (1973)


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Robin Trower biography:


Throughout his long and winding solo career, guitarist Robin Trower has had to endure countless comparisons to Jimi Hendrix, due to his uncanny ability to channel Hendrix's bluesy/psychedelic, Fender Strat-fueled playing style. Born on March 9, 1945, in Catford, England, Trower spent the early '60s playing guitar in various London based outfits; the most successful one being the R&B group the Paramounts, who specialized mostly in covers, but managed to issue several singles between 1963 and 1965. It wasn't until 1967 that TrowerProcol Harum. The group had just scored a worldwide smash hit with "A Whiter Shade of Pale," but the only problem was that the band's leader, singer/pianist Gary Brooker, didn't have a proper band to back him. BrookerTrower's in the Paramounts, and offered the guitar slot in his new fast-rising project to his old friend. As a result, Trower appeared on such Procol HarumProcol Harum, 1968's Shine on Brightly, 1969's A Salty Dog, 1970's Home (which spawned the popular Trower tune "Whiskey Train"), and 1971's Broken Barricades. received his big break however, when he joined was previously a bandmate of classics as 1967's

While Procol Harum helped launch Trower's career, the guitarist realized there was limited space for his guitar work, and eventually left for a solo career. Enlisting singer/bassist James Dewar and drummer Reg Isidore (who was soon replaced by Bill Lordan) as a backing band, Trower issued his solo debut, Twice Removed From Yesterday, in 1973. The album barely left a dent in the U.S. charts, but that would change soon enough with his next release, 1974's Bridge of Sighs. With rock fans still reeling from Hendrix's death a few years earlier, the album sounded eerily similar to the late guitarist's work with the Jimi Hendrix Experience (especially his 1968 release, Electric Ladyland), and as a result, the album sky rocketed into the U.S. Top Ten, peaking at number seven.

Although Bridge of Sighs was to be his most popular solo release, Trower's stock continued to rise throughout the mid-'70s, as he became an arena headliner on the strength of such hit albums as 1975's For Earth Below, 1976's Robin Trower Live!, and Long Misty Days, plus 1977's In City Dreams. Further releases followed, yet by the dawn of the '80s, it became quite obvious that Trower's star was rapidly fading, as each album sold less than its predecessor. A brief union with ex-Cream bassist/vocalist Jack Bruce spawned a pair of releases, 1981's B.L.T. and 1982's Truce, before Trower returned back to his solo career.

The '80s saw Trower try and expand his audience with several releases that attempted to update his blues-rock style (such as 1987's slick produced Passion), but none returned the guitarist back to the top of the charts. During the early '90s, Trower returned back to Procol Harum for a brief reunion (1991's Prodigal Stranger), before backing ex-Roxy MusicBryan Ferry on a few releases (1993's Taxi and 1994's Mamouna, the latter of which Trower earned a co-producer credit for). Trower continued to issue solo albums in the 21st century (2000's Go My Way), while a steady stream of live sets and compilations appeared. Trower returned to work with Ferry once more on 2002's Frantic, again earning a production credit. Reassembling most of his late-'80s band, Trower released Living Out of Time in 2004 and returned with Another Days Blues in late 2005. singer