11 srpanj, 2008

Aynsley Lister - Upside Down (2007)


Aynsley Lister has certainly not let the grass grow under his feet! It might be three years since his last studio release 'ALL OR NOTHING' (RUF 1082) but in the intervening time he has released a Live DVD (RUF 3005) and CD (RUF 1100) and for all of 2006 he made up one third of Ruf Records' acclaimed 'Blues Caravan' project. This took him along with stable mates Ian Parker and Erja Lyytinen to the deep south of America where the trio collaborated on the album 'PILGRIMAGE' (RUF 1112). To support it's release they embarked on a tour across mainland Europe and appeared at top USA festivals. Every aspect and quality that his fans have now come to expect is there, from the raunchy guitar, the melodic voice to the infectious songs written about what we can all relate to. However, to simply pronounce this release another worthwhile effort would be an injustice indeed: Lister has matured and honed his talent and on this release taken his first step into production. The result is his strongest, boldest and most compelling album yet.

Download-Link (Part 1):

http://rapidshare.com/files/128812109/2007_-_Upside_Down__320k_.part1.rar.html

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Aynsley Lister, Erja Lyytinen & Ian Parker - Pilgrimage (2006)


What happens if you take three young European artists (two Brits and a Finnish girl), all musically rooted in the Blues, yet untraditional in their approach, on a journey of discovery to the American South - in short, a Blues pilgrimage? This release is the answer. Ruf's original plan was to include New Orleans in the recording locations but one week before the sessions were due to start, hurricane Katrina flooded the studio. In the event nine tracks were recorded over four days in the old-fashioned yet atmospheric Delta Recording Studio in Clarksdale, Mississippi, and a further four tracks over three days in the far more sophisticated Ardent Studios in Memphis, Tennessee. All but one of the tracks are originals written by one or other of the three featured stars.

Download-Link (Part 1):

http://rapidshare.com/files/128813061/2006_-_Pilgrimage_-_Mississippi_To_Memphis__320k_.part1.rar.html

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Aynsley Lister, Erja Lyytinen & Ian Parker - Bluescaravan - New Generation (2006)



The idea: the three young and talented Blues artists Aynsley Lister, Ian Parker (both from Great Britain) and Erja Lyytinen (from Finland) hit the road together in Europe and the USACologne for WDR Rockpalast. You can see and feel the fun they had! Aynsley, Erja and Ian enter the stage together and open the show with three acoustic songs. The sets of the individual artists follow, each lasting about thirty minutes, and then they finish together with a grand finale... with the annual Ruf Records BluesCaravan label tour. "The New Generation" is their theme for performing in clubs and on festivals, and that's exactly what the three artists stand for. They play songs they have created during their pilgrimage to the roots of the Blues in the American South (CD: "Pilgrimage: From Mississippi To Memphis", RUF 1112). In front of an excited audience, this DVD was recorded during the opening concert of the Blues Caravan in

Download-Link (Part 1):

http://rapidshare.com/files/128814254/2006_-_New_Generation__320k_.part1.rar.html

Download-Link (Part 2):

http://rapidshare.com/files/128814286/2006_-_New_Generation__320k_.part2.rar.html

Download-Link (Part 3):

http://rapidshare.com/files/128814059/2006_-_New_Generation__320k_.part3.rar.html

Aynsley Lister - Everything I Need (2006)


Finally available in the States in 2006, this was U.K. blues-rock guitarist Aynsley Lister's second European album, released in his homeland back in 2001. No reasons are given as to the five-year delay, but since this style of music doesn't change substantially from one year to the next, it doesn't sound dated. On the contrary, the production by Jesse Davey is clean, crisp and full, bringing presence to Lister's guitar playing and smooth, likeable vocals. There's no getting around the Stevie Ray Vaughan influences and Lister even interprets Hendrix's "Little Wing" as did the Texas legend. His solo version is impressive, though, and adds a personal touch that resonates with emotion. Lister works well in the acoustic format too, especially on the untitled closing hidden track and a stunning cover of Tony Joe White's "As the Crow Flies." The rest of the album is comprised of originals, all of which feature his boyish vocals and solid, if not terribly distinctive tunes. There are solos on almost every track, but Lister keeps them compact and concise, a rarity for young guitar slingers in his field. Some tunes such as "In the Beginning" and the Steve Miller- styled "I Believe" show a tendency for pop/rock with hooks crafted with radio play in mind. "Quiet Boy," the album's only instrumental, gives Lister room to strut his rugged string bending stuff on a fast shuffle. "Need Her So Bad" is a pleasant but ultimately clichéd slow blues that seems slightly out of place on a disc that generally aims for a more mainstream approach.

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http://rapidshare.com/files/128811617/2006_-_Everything_I_Need__320k_.part1.rar.html

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Aynsley Lister - Live Harmonie Bonn 23-03-2004


Download-Link (Part 1):

http://rapidshare.com/files/128809335/2004_-_Live_Harmonie_Bonn_23-03-2004__320k_.part1.rar.html

Download-Link (Part 2):

http://rapidshare.com/files/128807913/2004_-_Live_Harmonie_Bonn_23-03-2004__320k_.part2.rar.html

10 srpanj, 2008

Aynsley Lister - Live ! (2004)


For those who enjoyed Aynsley Lister as he appears with BluesCaravan on the DVD BluesCaravan: The New Generation, recorded on December 7, 2005, this performance from a year before allows the guitar phenom to stretch inside the power trio unit to better display his prowess. Recorded at Harmonie in Bonn, Germany during the Rockpalast Crossroads Festival on March 23, 2004, the 84-minute concert features 13 songs all played with wild abandon. Lister begins the show with solo slide electric guitar and he's quite proficient putting a poppy spin on "Aeroplane Blues" while still showing his grasp of the blues format. Director Peter Sommer does an excellent job of keeping up with the singer by giving tons of quick cuts which make for exciting viewing. The edits not only bring the energy level up, they give a clear indication of the guitarist's talent by providing overviews and side shots, but still managing to focus on his hands when the performer dives into a variety of compelling riffs. He follows that epic with six-and-a-half minutes of an acoustic "As the Crow Flies," taming things for a brief moment. The band then joins Lister and they blast into a set of high energy music which straddles the fence between low-key Cream without the boom while bordering on Pat Travers' brand of blues-rock, though with a bit more of an edge. "Snake" has Sarah Jones pounding away at the drums, though a bit more Ginger Baker is, perhaps, in order to put it over the top. A semi-ballad, "Angel 'O' Mine" -- from Lister's self-titled 1999 CD -- has lots of tension and cuts through as the best track. Very inviting, it will call you back for repeated spins. The cover of "Take Me to the River" has a "theme from "Peter Gunn" style" push that leans more towards Al Green doing rock than the Talking Heads. It also keeps this trio from being labeled pure blues. There's so much potential here, and when Aynsley Lister is a journeyman like so many before him, there's no doubt that potential will be realized. For now, this is a solid representation of a talented man with a better understanding than most of the sounds coming out of his amp. Rembert Stiewe has intriguing questions lined up for the singer/guitarist during the close to 18 minutes of interview footage and it is worth your time. There's also a three-minute clip of the band called "backstage film" which has the group arriving for soundcheck, riding go-carts, all to an instrumental ditty from Lister on acoustic guitar. Drummer Alex Thomas (who appeared on 2003's All or Nothing and 2007's Upside Down albums) makes a cameo in the film clip, but he's not on any of the performances on the DVD. One of the bonus features includes a five-and-a-half minute lo-fi rendition of Deep Purple's first hit, "Hush," an energetic version of the Joe South tune played in semi-Dickies up-tempo fashion from some place called The Flowerpot Derby in May of 2004. The trio sound more like the Lemonheads here than a blues band, drummer Sarah Jones and bassist James Townsend giving Blue Cheer's rhythm section a run for its money. [There's also a companion DVD of the same material on Ruf Music available separately.]

Download-Link (Part 1):

http://rapidshare.com/files/128556731/2004_-_Live____320k_.part1.rar.html

Download-Link (Part 2):

http://rapidshare.com/files/128556097/2004_-_Live____320k_.part2.rar.html

Aynsley Lister - All Or Nothing (2003)


After nearly three years since his last full band album, 'All Or Nothing' has been long in the coming so you would be forgiven for wondering what this new album sounds like. Lister's last release on Ruf was an all out stripped down solo acoustic album full of Blues classics – a contrast if any to the power blues-rock of his previous album 'Everything I Need'. So what next you might ask? Three years is a long time and a lot can happen – for better or for worse. In this case its most definitely for the better. Although Lister's blues roots are still evident in his playing, it's his song writing that has progressed. Not content to just stay at one level, this album positively pushes the boundaries on every level. "I wanted an album that represented where I am at right now. My musical tastes have diversified a lot over the last couple of years which is probably reflected in my writing." Produced by Greg Haver (Manic Street Preachers, Catatonia etc.), this album is proof that Lister is continually progressing and pushing himself to the limits both in performance and song writing and exemplifies better than any album yet that Lister is his own man with his career laid right in front of him. The opening track 'Say Goodbye' kicks in hard with a solid drum groove before the guitars and bass join in to leave you in no doubt you're gonna like this album. 'Nothin` At All' is pure radio friendly with a great melody and shows Lister's vocals off very well indeed as well as the great production from Greg Haver. 'Balls Of Steel' does sound quite familiar though... "I've always loved AC/DC and like the simplicity of their songs so I thought I'd do one in that style. There's no hiding the fact of where I got the inspiration for that song!" So Lister tips his hat to Angus – well if any, this would be the track that leads on from his last album. Haver's production takes a front seat again on 'What U Got 4 Me' where Lister shows he is not shy to move away from the Blues altogether before dispensing with the band for just one track where he is playing and singing solo a beautifully melodic song called 'Without Wings'. The one and only cover on the album of Hendrix's 'Crosstown Traffic' sounds as though it was recorded live in the studio (maybe it was) and is a perfect album-closer showcasing just Lister, James Townend on bass and Alex Thomas on drums going at it full tilt – if you have never experienced Lister live and then hear this, you'll be booking tickets for his next show before the album stops spinning in your CD player! 'All Or Nothing' is definitely a very guitar driven album but don't be fooled into thinking this is all guitar and nothing else. Lister's choice of musicians is first class and they all do the job brilliantly to compliment both each other and the songs played. Lister's vocals are again stronger and more mature and carry the songs over better than ever with his guitar playing easily being the best yet to make it onto record. So where next? Where can Lister go from here? Well, indeed anywhere he wants to – this is the perfect crossover album from a young man with the whole world in front of him.

Download-Link (Part 1):

http://rapidshare.com/files/128554117/2003_-_All_Or_Nothing__320k_.part1.rar.html

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Aynsley Lister - Supakev 'N' Pilchards (2002)


Loading Aynsley Lister's brand new 'Supakev n Pilchards' album into your CD player and pressing 'PLAY' might give you a little shock. No drums, no bass and no distortion? - This is Aynsley as raw and stripped down as you've ever heard. Recorded Live back in July 2001, this is a showcase of a young man storming through a bunch of blues classics and originals with just a guitar, a stomp box and a mike. So, is Lister going back to his roots or is this just another side of him we haven't seen yet? Although firmly established throughout Europe for the electrifying shows with his band, Aynsley's solo gigs have only been a select few throughout England at venues chosen for their intimate atmosphere rather than size. So you'd be forgiven for not knowing solo stuff! A world apart from the supercharged power of his band, 'Supakev n Pilchards' is proof enough (if it were needed) that Lister can cut it just as well solo as he can with a band. His playing throughout is outstanding, his vocals passionate – check out the guitar on Witherspoon's 'Tougher than Tough' or John Lee Hooker's 'Mad Man Blues'. The self-penned 'Aeroplane Blues' has Lister riffing away on slide with a cheeky vocal and shows just what can be done without a backing band in sight. Although this is just Aynsley on his own, you could be very easily fooled into thinking there is more than one guitar on many songs – his technique of playing a bass groove while simultaneously playing lead over the top really is mind blowing. So what about that title and the elaborate caricature that make up the colourful digipak cover? "I wanted to keep the whole thing fun and light hearted – I didn't want to call it 'Aynsley's Live Solo Blues Album' – that's the obvious thing to do! Too many people take music too seriously and Blues is always looked upon as 'doom and gloom' music. I had fun making the album and I wanted to reflect that in the packaging, hence the ridiculous title!" So there you have it, one album of blistering blues played in front of a capacity audience by a young man in love with his music.

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http://rapidshare.com/files/128555716/2002_-_Supakev__N__Pilchards__320k_.part1.rar.html

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Aynsley Lister - Aynsley Lister (1999)


I first heard Aynsley Lister on a Ruf sampler CD and really liked his cut. Then I saw that he does a regular blues column in the British guitar mag, "Guitarist" (comes with CD). Liking both, I decided to take a chance on his only CD (that I could find, that is). It is pricely, but just had a gut feel about him. I was NOT disappointed! Crunchy guitar riffs, good leads, good song writing....vocals fine, but not gritty, smokey. I also like the sound of Walter Trout, Coco Montoya, Scott Holt, Gary Moore's blues. If you're in the same place, then you might like Aynsley.

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http://rapidshare.com/files/128555289/1999_-_Aynsley_Lister__320k_.part1.rar.html

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The Aynsley Lister Band - Pay Attention (1997)


The following year he did another album "Pay Attention" including some fantastic live tracks.

Download-Link (Part 1):

http://rapidshare.com/files/128554474/1997_-_Pay_Attention__320k_.part1.rar.html

Download-Link (Part 2):

http://rapidshare.com/files/128554072/1997_-_Pay_Attention__320k_.part2.rar.html

The Aynsley Lister Band - Messin' With The Kid (1996)


The Aynsley Lister Band's debut album. It features a variety of songs in both electric and acoustic blues styles. With realising his talent for singing Aynsley and his band, made the progression to recording an album, which was "Messin' with the Kid". This was released on his own label, in 1996 with his own superb version of "Voodoo Chile".

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Aynsley Lister biography:


Aynsley picked up the guitar at 8 and played his first gig at 13. One year later on a family trip to San Francisco, he was jamming at ‘Lou’s Bar’ on Pier 49. Brought up on his father’s record collection, he had learned to play by ear and would sit for hours in his bedroom playing along to old 45s of Freddie King, John Mayall and Eric Clapton. He spent the next few years honing his craft and would play with anyone, anywhere.

By the time he was 18, he had worked his way through various bands and decided to form his own. The band recorded two albums, but it was the second of these two that started things happening. Aynsley had begun writing and it was the three original numbers of this album that attracted the attention of Ruf Records’ head honcho Thomas Ruf. In the summer of 1998, they signed a deal. Armed with an album worth of original songs and a handful of cover’s, Aynsley went into the studio with Producer Jim Gaines and set to work of his first major album. It would prove to be the start of a long and fruitful career taking him over the next few years all over Europe ,and working with some of the top names on the circuit.

Aynsley has never been an artist to reheat the music of yesteryear. Influenced from an early age by the 60’s RnB era, Lister takes these key elements and mixes them with a more current and melodic lyrical approach.

He is one of very few artists playing rocking blues with a modern edge -tangible, heartfelt, soul searching and full of fine songwriting; played with passion and vitality. His hard hitting rhythms and guitar work are reminiscent of a young Clapton.

Since signing to Ruf Records, Lister has recorded four solo studio albums, and two live albums – one solo acoustic and one along with a live DVD for Germanys ROCKPALAST TV show. He has sold over 75,000 records and now headlines many of the major festivals throughout Europe where he has played alongside blues legends such as Buddy Guy, John Mayall, and Robert Cray aswell as big name pop artists such as Bryan Adams and Fun Lovin’ Criminals. His recorded work has seen him working with Producers Jim Gaines (Santana, SRV) and Greg Haver (Manic Street Preachers, Catatonia).

In more recent times 2006 saw Lister recording in Clarksdale, Mississippi and Memphis Tennessee where he worked again with Jim Gaines on the Ruf Records collaboration ‘Pilgrimage’. With Gaines producing Lister debut for the label in 1999, it was almost 7 years to the month that they had previously worked together. In September of that year his album ‘Everything I Need’ was released stateside in preparation for this years debut tour.

UPSIDE DOWN is Lister’s fourth studio album and his first to contain all originals. Every aspect and quality that his fans have now come to expect is there, from the raunchy guitar, the melodic voice to the infectious songs but to simply pronounce this release another worthwhile effort would be an injustice indeed: The result is his strongest, boldest and most compelling album to date that could quite easily crossover into the mainstream.

In reality his career is just getting started – he has the ability to reach such a wide-ranging audience from teenagers to folks who grew up in a time when real artists mattered. Right now Aynsley Lister has everything he needs to turn the world upside down…

09 srpanj, 2008

Bjorn Berge - Live In Europe (2008)


The new album "Live In Europe" is finally released in the rest of Europe (France, Germany, Holland, Belgium, Switzerland etc.)

Download-Link (Part 1):

http://rapidshare.com/files/128203675/2008_-_Live_In_Europe__320k_.part1.rar.html

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Bjorn Berge - Im The Antipop (2007)


Bjorn Berge was born September 23 in Haugesund, Norway. He's one of Norway's most innovative blues musicians, blending elements from rap and hip hop with traditional blues and a good dose of badass funk. He's got a voice like gravel and broken glass and sings as if the Devil himself is snapping his heels. After I've been writing and recording a lot of my own songs during the last 10 years, I decided that i wanted to make a record containing songs written by some of my favourite artists. I hope this CD will prove once and for all that the acoustic 12 string guitar rocks more than a whole band.

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Bjorn Berge - We're Gonna Groove (2006)


Bjørn Berge has spent most of the last three years testing the live market in Europe. It all topped itself last year when he more or less stayed in France. This has lead to sales exceeding 10 000 copies of St Slide and a solid position on the live scene. With his new album Bjørn Berge finally steps out and delivers his rawest album to date. Musically, the album is in principal based around a “trio-feel” with Bjørn Berge playing guitars and bass, backed by Tore Jamne on drums. Bjørn Berge shows with no doubt that he does not only have the blues in his fingers, but lots of rock in his veins as well. The sound on the record is raunchy and heavy with a wall of riffs. Bjørn Berge has picked lyrics from his American labelmate Tim Scott McConnell for this record, and it’s a brilliant match. Especially “Darker side of me”, “Follow through” and “Out of time” might turn some heads. “We’re gonna groove” will be supported by a lengthy Norwegian tour this winter/spring, as well as be released in the following territories: Denmark (March), FranceBeNeLux (May) GAS (August). (April),

Download-Link (Part 1):

http://rapidshare.com/files/128043978/2006_-_We_re_Gonna_Groove__320k_.part1.rar.html

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Bjorn Berge - St. Slide (2004)


New album ”St. Slide” includes the “usual” mix of Bjørn’s own songs and his unique versions of songs by other composers, much like he have done on his two latest (both Norwegian Grammy-winners) albums. On “St. Slide” Bjørn includes tracks by such different artists as Motorhead (”Ace of spades”), Morphine (”Thursday”) og Frank Zappa (”Keep it greasy”).

Download-Link (Part 1):

http://rapidshare.com/files/128043823/2004_-_St._Slide__320k_.part1.rar.html

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Bjorn Berge - Illustrated Man (2002)


Bjorn Berge was born into poverty as the youngest of eight children. When both his parents died from the consequences of cholera, the 12 year-old and his siblings were forced to look out for themselves, and that's how the kid wound up in a car factory, working double shifts, but stubbornly practising on his battered, second hand acoustic guitar which he'd bought for five dollars. His mentor was a certain Louisiana Slim, a legend of whom we know next to nothing… Wait, wait, this nonsense has gotta end. As far as I know, Berge had a normal youth in Norway, where people are as likely to buy blues albums as they're gonna be fans of Fela Kuti. It just doesn't make sense, you know. Still, Berge emerged fully-fledged from the underground in the late 90s, with looks that make him a dead ringer for some guy in Biohazard, but a preoccupation for acoustic folk blues. Like on his next album, 2004's St. Slide, it's obvious that Berge's not only fond of the personal form of expression that blues is, but also rock, as he picks songs from acts as diverse as Jethro Tull (a thoroughly changed "Locomotive Breath") and The Red Hot Chili Peppers (a frenetic, exhausting romp through "Give It Away"). By consequence, blues purists better beware, as this Norwegian action figure doesn't seem to give a single crap about conformity and prefers to dress up his songs with un-pure details. Much like R.L. Burnside's 2000 album Wish I Was heaven Sitting Down, Berge's album offers a broader sound palette, coupling the authentic to the modern and the analogue to the digital. As a result, opening song "Cypress Grove" (originally by Skip James) is not only propelled by harmonica, 12-string guitar and Berge's commanding baritone, but also subtle layers of programming. This all works fine on the quieter tracks - the pretty "Some Days" gets an even wearier, late night-vibe because of it - yet it can become a bit overbearing during already dense tracks like "Funky Face." Further material to annoy the Alan Lomax in every listener comes with "Wishful Thinking," a bare-boned blues-rocker with BIG drums that has more in common with Jon Spencer's Blues Explosion than folk blues; and an almost unrecognisable, funkified version of Robert Johnson's "Travelling Riverside Blues" (yep, that's the one with the legendary sexual innuendo). Despite the fact that Berge usually gets away with his non-conformism (regardless of the angelic backing vocals of Kristin Berglund (Scandinavia's very own Emmylou Harris?) "Angel Band" remains a bit bland), the tracks I kept turning to where the ones he didn't tamper with: the moody "Heather," the speeding fingerpickin' fest of "Illustrated Man" and the Tony Joe White-style stomp of "Ride On" that shows that Berge has an understanding of blues music and maintains his credibility when he's left on his own, with feet-stomping rhythms and his Takamine guitar. While it lacks the spark and consistency of a great album, Illustrated Man has the Henry Rollins of blues performers expand his horizon with dominantly successful results.

Download-Link (Part 1):

http://rapidshare.com/files/128044253/2002_-_Illustrated_Man__320k_.part1.rar.html

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Bjorn Berge - Stringmachine (2001)


On this record he is back to basic again, all by himself playing acoustic guitars, singing and foot stomping. This is as close as you can get the feeling to be at one of his live gigs. Bjørn Berge received a Norwegian Grammy for "Stringmachine" as the best Norwegian Blues Album in 2001.

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Bjorn Berge - Bag Of Nails (2000)


BAG OF NAILS Includes songs by, among others, Beck and Led Zeppelin, and is a bit harder than his last record. Have strong elements from funk, rock and a bit of hip-hop. An alternative blues record!!

Download-Link (Part 1):

http://rapidshare.com/files/128043778/2000_-_Bag_Of_Nails__320k_.part1.rar.html

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Bjorn Berge - Blues Hit Me (1999)


Bjørn Berge, Norway's best selling blues artist, started to play guitar when he was 13 years old. After playing for some years, Bjørn discovered Robert Johnson, Elmore James, Leo Kottke and John Hammond. Bjørn Berge, as we know him today, was born. Bjørn's debut on a major label. This is the first time he's using guest musicians, e.g. Rita Eriksen and Britt Synnøve Johansen. The release angles towards a more "modern" blues.

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http://rapidshare.com/files/128044044/1999_-_Blues_Hit_Me__320k_.part1.rar.html

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Bjorn Berge & Jan Flaaten - Berge & Flaaten


Trad. Blues with harmonica and guitar.

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http://rapidshare.com/files/128045187/1994_-_Berge___Flaaten__320k_.rar.html

Bjorn Berge biography


Hailing from the land of Hardanger fiddles and fjords, the mountainous profile of Bjorn Berge and his 12-string guitar cuts an odd figure in Norway. Sporting swirling tattoos on his massive arms, a pirate-like goatee and two gold earrings, the bluesman wields his guitar with impressive dexterity…and diversity. Born in 1968, Berge is an unremitting one-man-show, ceaselessly touring and recording. Norway has dubbed him “Mr. Stringman” and rewarded him with several "Spelemannsprisen", the Norwegian Grammy.

Bjorn Berge, Norway's best selling blues artist, started to play guitar when he was 13 years old. After playing for some years, Bjorn discovered Robert Johnson, Elmore James, Leo Kottke and John Hammond. Bjorn Berge, as we know him today, was born.

Bjorn Berge's got a voice like gravel and broken glass, and sings as if the devil himself is snapping at his heels.

Live, Berge is merciless, leaving audiences, but reeling as he packs up his guitar and heads on to the next venue, the next gig, the next challenge.

06 srpanj, 2008

Rob Tognoni - Capital Wah (2007)


Recorded 2006-7.

Download-Link (Part 1):

http://rapidshare.com/files/127437042/2007_-_Capital_Wah__320k_.part1.rar.html

Download-Link (Part 2):

http://rapidshare.com/files/127436368/2007_-_Capital_Wah__320k_.part2.rar.html

Rob Tognoni - The Ironyard (2006)


In 2006, Rob presented his CD "The Ironyard" during a very successful European tour. He became part of the greatest football party of all time in Germany as he was invited to play the official FIFA World Cup Fan Fest on June 12th after the World Cup Australia vs. Japan game. The band performed on the main stage in the Public Viewing Area in front of an enthusiastic crowd.

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http://rapidshare.com/files/127434755/2006_-_The_Ironyard__320k_.part1.rar.html

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Rob Tognoni - Shakin' The Devil's Hand Live (2005)


If you like blues / rock, treat yourself to this CD which will become one of your favorites. Guaranteed. Rob is absolutely one of the finest, most entertaining guitarists on the planet. Not just highly skilled, Rob plays with a fire that will continue to bring you back for more and more. Find all you can of this blues / rock heavyweight and enjoy!

Download-Link (Part 1):

http://rapidshare.com/files/127437174/2005_-_Shakin__The_Devil_s_Hand_-_Live__320k_.part1.rar.html

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Rob Tognoni - Retro Shakin' (2002)


The album Retro Shakin' was released as a limited edition via the internet only during the month of July. The CD sold out by the end of that month. The CD was again reissued in October. A number of solo performances commenced in Europe from October 19th, 2002.

Download-Link (Part 1):

http://rapidshare.com/files/127506913/2002_-_Retro_Shakin___320k_.part1.rar.html

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Rob Tognoni - Monkeygrinder (2001)


The Monkeygrinder CD was released in April. The April tour also proved to be very successful, with 27 shows in 28 days. This was the first tour Rob Tognoni Power Blues Rock toured as a trio. (without a rhythm guitarist).

Download-Link (Part 1):

http://rapidshare.com/files/127434315/2001_-_Monkeygrinder__320k_.part1.rar.html

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